Kim Bouvy

‘Phantom City’ in ‘The Dutch Photo book’ / ‘Niemandsland’ in ‘Deutschland im Fotobuch’

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On March 10 2012, the publication ‘The Dutch Photo book’ was presented at the Nederlands Fotomuseum, a book containing a selection of 124 books published between 1945-2010 that describes the relatively recent history of the famed Dutch photo book. I am very proud and honored to see my book ‘ Phantom City’ in the selection on page 184. Published by Nai Publishers, ed. Frits Gierstberg, Rik Suermondt.

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The Dutch Photobook

The Dutch Photobook describes the relatively recent history of the famed Dutch photobook. Editors Rik Suermondt and Frits Gierstberg chose over 120 of the most significant Dutch photobooks and placed them in the context of developments in photography and society.

The post-Second World War Dutch photobook is unique because of the long tradition of graphic designers and photographers working closely together. It is highly prized abroad, and many photobooks have become part of the collections of museums and private collectors. This book shows the immense variety and allure of the Dutch photobook and makes it accessible to a broad audience.

Six chapters, organized both thematically and chronologically, examine company photobooks, photobooks about youth culture, landscape books, city books, travelogues and autonomous photobooks. For each theme, the 20 most noteworthy books are described and represented by gorgeous illustrations of their covers and parts of their contents.

Available March 2012
Editors: Frits Gierstberg, Rik Suermondt
Authors: Wim van Sinderen, Claudia Kussel, Patricia Börger, Pim Milo, Flip Bool, Karen Duking, Max van Rooij, Tamara Berghmans, Mirelle Thijsen, Bart Sorgedrager, Mireille de Putter, Pieter van Leeuwen, Karin Krijgsman
Photography: Hans Bol
Design: Studio Joost Grootens, Illustrated (colour), Hardback, 240 pages, 24 x 28 cm
English edition, ISBN 978-90-5662-846-8, € 59.50
Dutch edition, ISBN 978-90-5662-845-1

Exhibition at the Nederlands Fotomuseum in Rotterdam from 10 March until 20 May 2012

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In September 2011, another book about photo books, this time about Germany in the Photobook - ‘Deutschland im Fotobuch’ - was published by Steidl (ed. Thomas Wiegand, Manfred Heiting): ‘Niemandsland’ can be found on page 305.

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Deutschland im Fotobuch
Thomas Wiegand, Manfred Heiting

Welche Fotobücher haben auf besonders überzeugende und charakteristische Weise Einblick in »Deutschland« gegeben? Deutschland im Fotobuch zeigt sie: Bücher aus den letzten Tagen des Kaiserreichs und der Weimarer Republik, aus dem »Dritten Reich«, der Bundesrepublik, der DDR und dem wiedervereinigten Deutschland. Viele wichtige Fotografen sind mit gestalterisch geschlossenen Werken zum Thema vertreten: August Sander und Albert Renger-Patzsch, Abisag Tüllmann und Edith Rimkus, Leonard Freed und George Hashiguchi, Dirk Reinartz, Chargesheimer, Will McBride, Heinrich Riebesehl, Christian Borchert u.v.a. Deutschland im Fotobuch versammelt 273 Werke, die mit Beispielseiten, einem kurzen Text und bibliografischen Daten vorgestellt werden. Der Band ist in thematische Gruppen gegliedert: Landschaften, Städte, Menschen, Arbeit, Architektur, Zeitgeschehen, Grenzen, »Typisch deutsch« u.a. Jedes Kapitel wird von einem Essay eingeleitet.

Book Gebunden im Schuber
Language: German
ISBN: 978-3-86930-249-2
Publication date: September 2011
Steidl

Both books can still be ordered at my web store here.

Niemandsland - Berlin without the wall 2002/2009


Niemandsland 2002-2009


NIEMANDSLAND

NIEMANDSLAND - Berlijn zonder de Muur / No Man’s Land - Berlin without the wall - 160 p., full color, ed. 1250. Design: Claudia van Rouendal / Kim Bouvy.
Published dec. 2002, De Verbeelding Publishers.

Order ‘Niemandsland’ HERE at my webstore for �18.- (NL) / � 23.- (world) via PayPal.

In �No man�s land� I looked at the evolution of the landscape after the Berlin wall and its dominating ideology had disappeared. What had happened with the landscape where the wall once stood, 13 years after the fall of the Wall? How was this phenomenon and its physical remnants given a new meaning and what was on the one hand the point of view of the tourist and on the other that of the citizen ?
With this project I wanted to investigate how the stereotypical imagery founded during the Cold War could still hold out in the heads of the people (Die Mauer im Kopf) even when the Cold War was over and the remnants out of (physical) sight. Could it be that people, and therefore photography, are blind for the somewhat dull and far less uncanny present?…

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NIEMANDSLAND - TENT., Rotterdam nov-dec 2004

Group show �Foreign Affairs: Berlin� at TENT., Rotterdam nov/dec 2004

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